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Title of the Show: SWAP-MEET
Opening Reception May 3, 2008 , 7-10pm
In keeping true to our ideals and having a sense of fun we are inviting all artists to participate in Raid Projects closing show, Swap Meet by bringing along a small art work on that evening to be hung then and there. After this we ask that you find another work hanging, by another artist, and swap the work. This can be done numerous times throughout the evening until we close at 10pm. The idea is we all get to meet artists new and old, many whom have had a show at Raid Projects in the past, and enjoy the night. Hopefully we will all make some new friends, as many of us have in the past via the Raid Project openings, and reminiscent fondly about Raid Projects and its tenure in the Los Angeles art scene.
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FROM THE DIRECTOR
Dear All,
After 10 years of activity Raid Projects is set to close as an exhibition venue. Our last ever show will be MAY 2008. Please join us in the coming months as we lead in to our last hurrah. In the future we will continue with one-off curatorial projects, particularly external ones, and with the AIR Program, albeit in a different form (more details on these changes are available at the website). Raid Projects will become a site for exploration and development through studio practices, working with artists on process and content and allowing a period of experimentation rather than focus upon a single exhibition.
It has been a wonderful decade – working with all those talented artists and curators and meeting so many interesting people, the fun, the solidarity and the splendid opportunity to experience so much fascinating art. Some of my closest friends have emerged from this experience .
I would like to thank, from the bottom of my heart, the people who helped sustain and develop Raid Projects over the years. Colton Stenke and Valerie Lambert for their unflagging enthusiasm and hard work, Janet Owen for her unshakeable belief and eye to the future, Sydney Croskery and Marvella Muro for their selfless contribution and support. Bob Arieas, Robert Nichols and Bob Martin who always came through. The interns who gave generously of their time – Julie Spielman, Ayca Cakmakli, Kutae Kim, Tricia Tongo. The support freely given on technical matters – Andres Polit and Richard Ankrom. Also thanks to the contributions made by the early Santa Ana crew – Matt, Ed, Brian, Joel and all the rest (you know who you are!!)
I am proud of all of them and proud of Raid’s track record which owes so much to their participation. They have my very best wishes for the future.
I would also like to thank all those people who came to the shows, expressed their support and encouraged us over this time. Without you coming there would never have been a point to doing this.
Finally and very importantly - a huge shout out of appreciation to all the artists who have ever shown with us – without them there would never have been a Raid Projects!!!!
It is now time to move on to other challenges. I will continue in my role as Director of Mark Moore Gallery and will be engaged in some independent curatorial projects, as well as returning to my own painting practice in the studio.
Thanks Again and see you around the galleries!!!
Max Presneill |
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RAID PROJECTS 1998 - 2008
Raid Projects was formed in 1998, in Santa Ana CA, to give a showcase to artists and provide a mix of local, national and international artists a forum to deliver new works, to contextualize their practices and to form lasting interpersonal relationships between artists. Its first shows were held by illegally entering empty buildings and putting on a one night only exhibition, removed at the end of the night and the space left as found. It graduated to a full time gallery space in 1999 after having held The Spurgeon Experience and The Spurgeon Experience II - hosting 106 and 114 artists and co-curated by Max Presneill with Carl Berg and Mike McGee respectively, each artist with a solo show in a separate room in an empty office block, which garnered rave reviews. The gallery held monthly shows, as it did throughout the entire 10 years, for 18 months and then moved to its current location at the Brewery, where Presneill took on all the curatorial duties.
In its 10 years of existence it has established a reputation as one of the foremost venues for seeing new art and was the first venue to discover or present to its LA audience many artists who have gone on to establish successful careers. It was also the premier space for showcasing International art with many shows from UK, Netherlands, Japan, Italy, Germany, Australia and other countries. In support of this International program it also established an Artist In Residency Program, mostly for young artists from abroad, to come to LA and develop a body of work which was then shown in one of the present location's 3 gallery spaces on-site. As a rule this generally meant that the gallery curated 3 shows per month, every month, plus its external shows for galleries and museums elsewhere since its move to LA (an overall total approaching 300 shows during their 10 year run). Another key part of the program was the curating of exhibitions in other spaces worldwide - with a focus on new LA art - in cities such such as London, Istanbul, Tokyo, Amsterdam, Sydney, New York and others.
Raid Projects also supplied a space for young curators worldwide to develop and present their curatorial vision by hosting their projects. This allowed the gallery's schedule to truly present a range of art and content from a large amount of artists previously unknown to the gallery.
Over these last 10 years Raid Projects have shown several artists from the Whitney Biennial (3 in this years alone!!), A couple of dozen who have shown at the Venice Biennale, half a dozen from Documenta, 2 Turner Prize winners as well as many more, now acclaimed, artists.
As one of the few non-commercial venues in LA (with all the staff over the years being volunteers) it has been a mainstay and influential organization upon the LA art scene and is held in high esteem around the world, probably the best known of its type in America. Having fulfilled its mission it will now close while still at the top of its game and at the peak of its powers to allow others to take up the mantle.
RAID PROJECTS OPENING PICS FROM THROUGHOUT THE YEARS
A SAMPLING OF ARTIST SHOWN AT RAID PROJECTS OVER THE YEARS
Gillian Wearing (UK)
Martin Creed (UK)
Marta Marce (SP)
Yoshua Okon (MX)
Pae White (US)
Jonas Ohlsson (SW)
Per Huttner (SW)
Rev Ethan Acres (US)
Skip Arnold (US)
Katie Pratt (UK)
Meg Cranston (US)
Emilio Fantin (I)
Christoph Schmidberger (AU)
Carlee Fernandez (US)
Graham Hudson (UK)
Danny Rolph (UK)
Arno Coenan (NL)
Kerry Skarbakka (US)
Sabrina Mezzaqui (I)
Jane Callister (UK)
Paul Morrison (UK)
Shaun Gladwell (AUS)
Phyllida Barlow (UK)
Marcos Lutyens (UK)
Jared Pankin (US)
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Jan van der Ploeg (NL)
Edgar Arcennoux (US)
Gordon Cheung (UK))
Icelandic Love Corporation
Joel Tauber (US)
Mario Ybarra (US)
Greg Colson (US)
Saadane Afif (FR)
Cesare Pietroiusti (I)
George Raggett (US)
Boo Ritson (UK)
Steve Roden (US)
Brad Spence (US)
Shirley Tse (US)
Joep van Liefland (NL)
Saadane Afif (FR)
Fernanda Brunet (MX)
Ruben Ortiz-Torres (MX)
Daniela Rossel (MX)
Monique van Genderen (US)
Ruben Ochoa (US)
Thaddeus Strode (US)
Krijn de Koning (NL)
Critical Art Ensemble (US)
Martin Kersels (US)
Natalie Djurberg (SW)
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Gallery hours: By appointment.
Visit our website at www.raidprojects.com
click on pictures to view larger images of the work.
raidprojects@yahoo.com
602 MOULTON AVE
LOS ANGELES, CA 90031
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