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Depth Analysis
Work by Fiona Jack, Devon Tsuno, Lara Odell and Maeghan Reid
Opening: Saturday July 2, 7-10pm
Exhibitions Runs: July 2 – 30, 2005
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| Fiona Jack |
Devon Tsuno |
Lara Odell and Monica Duncan |
Maeghan Reid |
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DEPTH ANALYSIS: Fiona Jack, Devon Tsuno, Lara Odell and Maeghan Reid
Although depth may be most simply described as a 'measurement downward
from the surface or backward from the front', the physical and
psychological experience of being in space confounds simple objective
measurement. With Depth Analysis Raid Projects is pleased to present
an exhibition of works that variously navigate remembered,
manufactured, imagined, depicted and actual spaces to take on the
complex territory of spatial relationships.
In FIONA JACK'sS North Gallery installation monochromatic shapes breach
the bounds of their canvases to spill across the walls and floor, while
delicate contour lines call out small architectural features. The
impact is subtly vertiginous. For Jack collides cartographic and
painterly conventions with an actual interior geography to create an
installation that is both prospect and map, both real space and
imagined topography.
Influenced by 19th century tableaux vivant LAURA ODELL'S Video
Paintings initially occur as still images. Dressed in matching colored
outfits that complement their chosen stage – a night-time laundromat or
parking lot – Odell and collaborator Monica Duncan are static as
carefully orchestrated slashes of paint. Only the occasional passage of
a passerby or, more rarely, the pacing of the artist/performers through
the space, reveals that time is as much a compositional element here as
form, light and color. In that moment of deliberate movement landscapes
that have been flattened by lens and screen shiver briefly into
three-dimensionality before settling once again into flatness.
Taut, clean, and colored with harmony in mind, DEVON TSUNO'S
large-scale paintings are peppered with visual clues – red white and
blue triangles set beside a softer blue expanse, white curlicues
repeated over a violet-gray ground – that suggest flag-decked marinas,
chill mountains and wide sunlit streets. Accept their seductive
invitation to enter the frame, however, and the seemingly contiguous
depicted spaces become fractured. Cut through by zigzagging lines and
multiplied by subtle layerings of fat over scumbled lean, once flat
planes multiply and rend as illusion gives way to the phenomenon of the
paint.
MAEGHAN REID'S images of suburbia are fashioned from home decorating
materials. Simultaneously representing streets, hills, and the houses
they are designed to decorate and remaining very much their paper and
plastic selves, scraps of pebble-print wallpaper, flowered fabric and
patterned linoleum collapse vista into miniature and wrest beige-toned
city-fringes from domestic interiors.
Maeghan Reid is a recent graduate of the Claremont Graduate School, she
has exhibited most recently at the Adele Simmons Gallery,
Massachusetts; Concrete Walls, Los Angeles; and the West Gallery in
Rhode Island.
Lara Odell's individual works and collaborative projects have been
shown at, among many others, Centro de Desarrollo de las Artes
Visuales, Cuba; the Virginia Museum of Art, U.S.A.; the Central Academy
of Fine Arts, Beijing, PRC; and the Festival of Actual Kino,
Novosibirsk, Russia.
Now living and working in Los Angeles, New Zealand-born Fiona Jack has
participated in over 30 international exhibitions, including at
institutions in Australia, London, the USA and the Netherlands as well
as in New Zealand.
Devon Tsuno's paintings have been shown at venues including the Gatov
Gallery West in Long Beach, Irvine Valley College, and the Miller
Durazo Gallery, LA. He is the Director of Concrete Walls Alternative
Art Space in Los Angeles.
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